Description

In compiling the materials for this book we have singled out everything which appeared to us to be most interesting from all that has, to our knowledge, ever been written about Favorsky, beginning from the very first articles about him written at the dawning of his fame. Naturally, therefore, our authors do not invariably agree among themselves. Some carly prognostications have been proved wrong by Favorsky's subsequent development. On one point, though, the critics show a monolithic unanimity: all of them look upon Favorsky as an important phenomenon in the art of our time.

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